While the blue skies overlooking the lake as Harry and Hermione discuss the future has never looked so natural.
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Check out how bright the wand light is in the cave, especially ‘luminous maximus!’ the white end is really well seen and shows more detail than ever before check out the destroyed window in the Great Hall, in the Blu-ray there is plenty of detail missing, the UHD resolves a great deal more, even if not quite completely. This depth allows the whites to really shine and they do.
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Dumbledore’s fiery protection burns off the screen.Īnd the black level is deeper, blacker and more foreboding that ever before indeed the whole picture is darker – this adds incredible frame depth, but doesn’t muddy as say Prisoner did early on. Indeed all fire has a far more vivid in colour and depth, far more than the Blu-ray could ever produce. Yet look at the burnt oranges of the Scottish heather as the train winds its way through to Hogwarts, how rich it is.
HARRY POTTER AND THE HALF BLOOD PRINCE 4K DOWNLOAD TORRENT SKIN
Both show marked changes colour in a film that is very desaturated, is now, in places almost devoid of any hue altogether check out the cave of the Horcrux, Harry’s red jacket with blue stripes is now almost black, likewise his and Dumbledore’s skin tones are all but silver. It is left up to the WCG and HDR to really showcase the differences. Skin texture and clothing weaves show little enhancement however. This UHD presentation pushes the envelopeĭetail itself is overall, only modestly improved but where there are improvements, it is obvious - looking up the Weaselys' staircase early in the film, Hermione’s face, far off in the distance, is much clearer, likewise the few establishing shots over Hogwarts show far keener edges, while the clutter of the Room of Requirement is sharper all around. But it is all about that finale, and Yates wrings out the emotion and does it well there is a definite impact, even if the emotional bond between Harry and Dumbledore is never shown to be as fundamental as in the source, but this a common fault to all the films. The principals for the first time get to show off some real emotions, something they would capitalise on in the next instalment, but due to pace, even in a two and a half hour film, the blossoming relationships never quite have that pull compared to the novel. Once again directing duties came to Dave Yates, having done such a tremendous job with the previous instalment, and his filleting of the source novel leaving only the salient parts, the love triangles, Draco’s dilemma, Slughorn’s revelation and the climax paints a pretty broad picture, while only a few ‘action scenes’ spice up the runtime. The fundamental problem with both is that relatively little happens during the runtime leading up to that devestating climax. After Dumbledore and Harry retrieve one, nearly costing them their lives, a serious turn of events sees a beloved character murdered, and the wizarding world will never be the same again.īook six is best known for its ending, and likewise, the film. Harry’s discovery of an old potions book, belonging to the Half-Blood Prince allows him to excel in a class he was failing, endearing him to Slughorn, which, in turn, persuades the professor to reveal the secret of the Horcrux. Meanwhile hormones are running high in the classrooms as students discover their sexuality and try to couple up, breaking plenty of hearts along the way, even our intrepid trio are not immune, as young love that has been brewing for years starts to blossom.
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Dumbledore is searching memories to try and find a weakness in the Dark Lord’s power, and enlists the help of Harry to persuade an ex-professor, Horace Slughorn, who taught Tom Riddle and may have a secret memory that holds the key, back to Hogwarts. Voldemort’s return is no longer in dispute even the muggle world is seeing repercussions.